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Changing Genres: How to Decide What to Keep and What to Dump, etc


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Workshop: Changing Genres: How to Decide What to Keep & What to Dump,

What to Change, What to Enhance, When Following Trends, Jumping into

Different "Lines" or Going Down a New Road

Speaker: Beth Daniels

Date: April 5 - 30, 2010

DESCRIPTION: The publishing world is in constant transition with

different aspects in novels changing, sometimes over a decade, sometimes

- it seems - nearly overnight. Will you be ready? Or are you

already thinking of jumping from your current "ship", swinging

with the finesse of Captain Jack Sparrow onto the publishing vessel

riding the waves to starboard or port?

There are a number of reasons why writers decide to try something

different. Some do it because the bottom has fallen out of what they

were writing, some because they are excited about a rising trend.

Whatever your reason for considering making the leap there are decisions

to be made. And that is what this workshop is all about.

Just because editors are no longer buying what you have been writing

doesn't mean you need to junk your style entirely. There are

elements that travel well between genres, even if the genres stay within

the romance marketplace or leap into an entirely different marketplace.

Determining what can or should be kept and what needs to be altered,

enhanced, dumped, or learned goes beyond simply decided to take the

leap.

This workshop runs four weeks and sets challenges twice a week. These

challenges (or homework, if you will) address things like the

marketplace, evaluating the elements required, making note of how many

of them are already part of the writer's style, deciding what needs

to be learned/adapted/changed, and even confessing - or realizing

- the reason a writer is considering leaping into a new field. In

other words, "what's it going to take and can I follow

though?"

I started out as a romantic-suspense writer, segued into being a

romantic comedy author (of both adult and young adult books), fell into

writing corrupted fairytale short stories, and have been world building

to launch into the fantasy market, so I've been jumping genres

throughout my twenty year career as a novelist. Sometimes what these

changes were made unconsciously and not as thoroughly as time and more

thought about the process now demands. But they've kept me in

contracts, not to mention extremely versatile.

All that is required of attendees is a vague idea of where they'd

like to go, where they'd like to be as their writing career evolves.

Both unpublished and published authors welcomed.

BIO: Beth Daniels currently writes as Beth Henderson and J.B. Dane,

though she answered to Lisa Dane and Beth Cruise in the past as well.

She has worked with editors at Berkley, Zebra, Leisure,

Harlequin/Silhouette, and Simon and Schuster's Aladdin Paperbacks, done

e-books for a now defunct company (not her fault, she says), and began

her writing life with hardcover books slated for library use with a

publisher that got out of the romance business (again, not her fault).

More recently she's had a number of articles about writing picked up

by e-zines, saw a short story published in a mystery and suspense

magazine that turned up its toes the next year (really, really not her

fault), and has a story in the MOTHER GOOSE IS DEAD anthology slated for

publication by Dragon Moon Press sometimes in 2010.

For over a dozen years Beth taught college level composition, both in

the classroom and online, and a credit course on Novel Writing. Five of

her former Novel class students are now published.

Twenty-six of Beth's manuscripts have appeared in print or e-book

format. These have been historical romantic adventures (6), romantic

comedies (10), romantic-suspense (3), and young adult romantic comedy

(7). Her titles have appeared in 12 different languages in over 20

countries. At the moment she is working on various manuscripts and

attempting a collaboration with another RWA member on a

contemporary/fantasy/romantic adventure. She also ventured into

self-publishing to keep her out-of-print backlist in print, but previous

e-books in print, and in frustration, to move beyond a manuscript

she'd been reworking for editors for a decade with no bites,

released a previously unpublished historical romantic adventure set in

the American West.

She is currently/or has been a member of/or about to renew membership in

Romance Writers of America, Sisters in Crime, Novelist Inc., and

Historical Novelist Society. Website: RomanceAndMystery.com

Fee: $20 CRW Members; $25 Non-CRW Members. FMI about the workshops or

speakers, or to register: http://www.coloradoromancewriters.org

<http://www.coloradoromancewriters.org/> or email Online Workshop

Series Coordinator, Karen Docter, at

coloromancewritersonlineclasses@yahoo.com

A minimum of 5

students registered two days prior to class start is required for

workshop to remain viable. No refunds after 24 hours prior to class

start.

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